1. Off-The-Grid Music Hackathon

    A blue posters with a black grid, and the words  Off-The-Grid Music Hackathon at Harvestworks, Governors Island Building 10a Nolan Park, August 5th, 12-6PM and the logos of Music Community Lab, Harvestworks, and the Institute for Public ArchitectureALT

    Explore music and sound off-the-grid. Make music outdoors, without electrical outlets and internet access. Consider, how will working in a park on an island, removed from the streets and offices of the city, change your musical or sonic explorations? How will working without a table and chairs change your process? Will you create a battery powered experience? A physical hardware based musical or sound experience? Will you construct an instrument that does not rely on institutionally provided power or internet access? This hackathon encourages any medium, techniques, technologies, and procedures you can use to create music and sound experiences under these constraints. 

    This non-competitive hackathon will include a mix of talks, performances, workshops and presentations by participants. Free and open to all (with RSVP—this event has limited capacity). Come learn, explore, create and share!

    We have an open call out for talks and workshops - please submit!

    :: Date & Time

    Saturday, August 5, 2023.
    Rain date, August 12, 2023.
    11:30am - Doors Open
    12:00pm - Talks

    • “Collaborating with the Woods,” by Luciform
    • “Permacomputing and Making Music with Computers Outside,” by Cameron Alexander
    • “Music & Sound Art Off-The-Grid,” by Katarina Hoeger

      1:00pm - Brainstorming& Hacking
      3:30pm - “ReVoice,” a workshop with Noah Aronson
      5:00pm - Demos & Performances

    :: Location

    Harvestworks Back Lawn
    10a Nolan Park
    Governor’s Island
    New York, NY 11231

    Click here for a map.

    :: Links

    RSVP [REQUIRED, Tickets Limited]

    Propose a Talk or Workshop

    Volunteer

    :: Logistics

    This is an outdoor event. Bring any supplies you might need for your auditory masterpieces. Bring hats, sunscreen, bug spray, picnic blankets to work on and water bottles and whatever you need to work comfortably outdoors. Snacks and refreshments will not be provided, but can be purchased from food vendors on the island.

    In case of postponement due to impending rain, notifications will be sent out via email to all who RSVPed.

    Ferry fares and times: Travel to Governor’s Island is free until 12PM on weekends. The last ferry to Brooklyn is at 5:30pm, the last ferry to Manhattan is 11:30pm. No participants will be stranded on Governor’s Island.

    :: Governor’s Island Rules

    Select rules of conduct for Governor’s Island include:

    * All visitors, back packs, packages and vehicles are subject to search.
    * Visitors may bring their own food and non-alcoholic beverages. No grilling allowed at Harvestworks site.
    * Cyclists must follow all posted traffic signs, speed limits, and dismount areas. Bikes may only be locked at designated bike racks.
    * All visitors must depart the Island on or before the departure of the last public ferry departing Governors Island each day.
    * Pets and drones are not allowed.
    * Visitors are not allowed to secure items to trees or buildings.
    * Commercial activity and solicitation are not allowed.

    For a full list, see https://www.govisland.com/plan-your-visit/rules.

    :: About the organizers and hosts

    This event is organized by Music Community Lab and hosted in back and side yards of Harvestworks and the Institute for Public Architecture at their residencies on Governor’s Island.

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    Music Community Lab (musiccommunitylab.org / musichackathon.org) is a not-for-profit which presents events encouraging exploratory approaches to music and sound.

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    Harvestworks is a not-for-profit which supports the creation and presentation of art works achieved through the use of new and evolving technologies.

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    The Institute for Public Architecture is a not-for-profit which uses design to challenge social and physical inequities.

    Event graphics by Shagari Guity.

  2. Songwriter Lab Oct 17th: Call for Proposals & RSVP

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    On Saturday October 17th, spend the day making music from scratch, learning from online talks & workshops, and collaborating remotely with creative members of our community.

    The day will wrap up with an online showcase, where participants will have the opportunity to share their tracks from the day over live stream.

    This event is open to all experience levels. Where you’re a seasoned or aspiring songwriter, producer, musician, or creator of songwriting tools ⏤ join us virtually, at Songwriter Lab Remote by Music Community Lab!

    Saturday, Oct 17, 2020

    12:00 PM ET - Talks [via Zoom + YouTube Live]
    1:00 PM ET - Optional workshops [via Zoom]
    8:00 PM ET - Demos & Performances [via Zoom + YouTube Live]

    This is a free, non-competitive event, and all are welcome (with RSVP).

    Propose a talk or workshop

    RSVP

    flyer by Shagari Guity

  3. Remote Music Hackathon Recap

    On May 23rd, Music Community Lab held our first Remote Music Hackathon to explore the creative potential of remote music collaboration.

    The day began with a live stream of lightning talks to inspire hackers, with timestamped links below.

    Talks

    ▶️ Bashiri Johnson, percussion artist - “Rhythm Healing: How Rhythm and Creativity can be a consciousness raiser, motivator, and call for action.” Bashiri Johnson is one of the most visible and recorded percussionists on the planet. Bashiri has added his highly sought after style of percussion to a myriad of hit records, commercials, films, TV, games and live performances across all musical genres. He has recorded and/or performed with Beyonce, Miles Davis, Madonna, Queen, Herbie Hancock, and many other artists. https://www.bashirijohnson.com https://en.wikipedia.org/wiki/Bashiri…

    ▶️ Katya Lipovetsky , founder at Katya and brand ambassador at Sofar Sounds - “Music Vs. Virus: Online music festival” How I started the first online music festival in 24 hours with over 40 musicians (across the US, Europe and Israel) and 3 collaborations with music start-ups. What are the various opportunities created in the music community due to the pandemic? How have music start-ups reacted to the music community going online? How will musicians respond to the crisis? https://www.facebook.com/events/s/mus… https://www.linkedin.com/pulse/my-way…

    ▶️ Iky Castilho & Bryan Velasco w/ Doni Clemons - “Creating an International Music Studio” A talk between two musicians, one American and one Brazilian, both award-winning, describing the techniques they use to create songs when collaborating from their respective home countries. https://www.instagram.com/ikycastilho/ https://www.instagram.com/justbryanmusic https://www.dclemons.com/

    ▶️ Damon Holzborn & John O’Brien - “Exquisite Coast - Asynchronous Musical Collaboration Through Patch Sharing” Exquisite Coast is a shared patch game that results in a series of solo pieces using the Make Noise 0-Coast semi-modular synthesizer. We’ll talk about the rules of the game and what we’ve learned during 6+ weeks of remote collaboration. https://ec.rustle.works/hackathon https://damonholzborn.com https://rustleworks.com Facebook/Twitter: @damonholzborn https://johnmobrien.com https://www.newmusicusa.org/profile/j…

    ▶️ Kris Gilbert, educator - “How to Create a Virtual Ensemble” The trials and tribulations of creating a virtual ensemble, the software to get the job done, and a quick overview of how to do it. Website: krisgilbertmusic.com YouTube: Kris the Uke Chick Gilbert (https://www.youtube.com/channel/UCJBI…) Facebook/Twitter: @conductorchik https://tinyurl.com/virtualensemble

    ▶️ David Wilson, founder of JamKazam, “Playing music together in realtime with JamKazam.” Founded in 2012, the platform had a relatively cult following until the global pandemic. The founder of JamKazam will join for a short discussion of how JamKazam works, some of the challenges involved in playing music together over the internet in real-time, and a preview of the JamKazam Music Festival coming up on May 30 featuring seven full bands performing live in-sync over the internet. https://jamkazam.com https://facebook.com/jamkazam

    ▶️ Justin Frankel, musician, programmer, inventor and founder - Q&A with the creator of REAPER, NINJAM, Winamp, Gnutella, Shoutcast https://reaper.fm https://www.ninjam.com/

    Workshops

    In the afternoon we had three amazing workshops:

    Raq Robinson, creator of HotPlay, a new music chat app, covered the inspiration and approach to the app’s development as well as a how-to on creating a simple starting point WebSocket template using Socket.io and Node.js. iamraq.github.io

    Chris Johnston, creator of J.A.M. (Join a Metronome) is an online metronome designed to play music together (remotely) on live streaming platforms for an audience. The workshop began with an overview of how it works, and then will branch into two tracks: one for musicians to play together using joinametronome.com, and the other for developers to hack on the codebase.

    Erin Gee & Jen Kutler, composers and sound artists, How-To: Touch Music. Discover how two artists are reimagining sound as a way to send touch and embodied data to friends during social distancing. Learn more about their open-source software and hardware circuits ranging from affective bio-sensing to networked data transfer in order to create your own intimate feedback loops with friends. jenkutler.com | eringee.net

    Hack Demos & Performances

    At the end of the day, we had a concert of hack demos and performances of music and music-related projects created by remote collaborators over the course of the day. The live streamed demos are available here.

  4. Remote Music Hackathon May 23rd, 2020

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    Explore new ways of connecting through music at a distance at the Remote Music Hackathon, May 23rd 2020.

    Music Community Lab’s first remote event follows our traditional Music Hackathon format of talks, workshops, hacks and performances.This is a free, non-competitive event, and all are welcome (with RSVP).

    remote.musichackathon.org

  5. Experiential Music Hackathon Recap

    On February 22nd, we explored music beyond the auditory at the Experiential Music Hackathon. It was a fantastic day of talks, workshops, hacking and performances held at the Brooklyn Navy Yard offices of Weav Music.

    Crowd Gathers - photo by Brenden Hussey

    Talks

    Kon Tsitsas - photo by Brenden Hussey

    Jay Alan Zimmerman, a composer, author, and multimedia artist, came up with the original concept for this event and led the organizing. As a composer who has become deaf, and co-creator of projects like Google’s Seeing Music, his opening talk set the stage for a day that aimed to make music more inclusive by enhancing the experience for everyone.

    Kon Tsitsas holding a phone demo-ing Weav Run app, photo by Brenden Hussey

    Kon Tsitsas, Adaptive Music Specialist at Weav Music, described their process for designing adaptive, interactive music experiences like Weav Run.

    Allen Riley, photo via Allen via our live stream

    Allen Riley presented works like Electronic Internet, sonification of internet browsing, and the Dream Car, a sound and light environment inspired by La Monte Young and Marian Zazeela’s Dream House.

    Four people gathered around Videofreak, photo via Allen Riley

    He also brought Videofreak, a music and video synthesizer in the form of an arcade cabinet, from its home at the Death By Audio Arcade. Participants explored the “experiential game” throughout the day.

    Johann Diedrick, photo by Brenden Hussey

    Johann Diedrick (aquiet.life) described how attuning our hearing to environmental sounds can inspire new ways of music making. From a workshop building aeolian harps to be played by the wind, to projects like the bird classifier at Newtown Creek, mobile listening kit and harvester.

    Yago de Quay, photo by Brenden Hussey

    Yago de Quay (meetgraviton.com) described how technologies such as gesture and brain wave sensors can turn the body and mind into an instrument in a live performance context. He shared context behind some of his projects like Lightning Guitar, Brainwave Controlled Music Show, and Interactive Music and Dance.

    Rena Anakwe, photo by Brenden Hussey

    Rena Anakwe’s talk, “Building Worlds through Sound, Visuals and Scent,” described how all of the senses factor into her immersive performances. Emphasizing the healing power of music, she concluded the talks with a sound-scent bath that was a perfect finale as we transitioned into hacking and workshops.

    Workshops

    In the first workshop, Jay Alan Zimmerman and David Lu described techniques for visualizing music. 

    workshop slide introduces SETS visual framework for music: Space, Emotion, Time, Shape. Photo by Inza Bamba

    David Lu leads the workshop, photo by Jason Sigal

    Then, they delved into some of the technical approaches to music visualization that powered their work for Google’s “Seeing Music.”

    Kyle Luntz led the second workshop, connecting live audio with environmental sensors.

    Kyle Luntz workshop, photo by Brenden Hussey

    Kyle Luntz workshop, photo by Brenden Hussey

    Participants used open source software and hardware (Pure Data and Arduino).

    Kyle Luntz, photo by Brenden Hussey

    Kyle is an artist and musician, as well as educator at Beam Center, a Brooklyn-based non-profit who generously lent extra Arduinos for the workshop.

    Hacking

    With all of the workshops there was still some time for hacking, pizza, and meeting new people.

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    We hit capacity at the beginning of the day, and our amazing volunteer organizers like Steph, Alan and Vinay helped us handle the overwhelming interest in the event without breaking the fire code.

    Demos & Performances

    At the end of the day, participants shared what they worked on, interspersed with special guest performances from Viola Yip, Richard Einhorn/Ruth Cunningham, Jay Alan Zimmerman and David Lu. Jay Alan Zimmerman’s performance incorporated sign language and included everyone in the audience. He then provided visuals for a Richard Einhorn composition w/ the performer Ruth Cunningham.

    Visuals projected in the windows

    Throughout the performances, visuals projected and reflected throughout the physical space.

    Viola Yip performs with Bulbble, photo by Jason Sigal

    Viola Yip performed with Bulbble, a DIY instrument that incorporates a circuit of lightbulbs as an interface for the audio and visual interplay for a performance

    Tongues demo, photo by Jason Sigal

    A demo of “Tongues,” by Alex Suber, Nathan Miller, Armand Bernardi: an augmented sound experience that classifies the mood and sentiment of speech based on its timbre, and uses this to generate music.

    SCreenshot of Windown

    Alex Wang, Dan Cho, and Adam Rahman worked on “Windown”: a sleep aid application intended to be incorporated into a nighttime routine.

    Halley and CJ tattoo an orange and amplify the sound with a microphone, photo by Jason Sigal

    Halley and CJ demoed the sound of tattooing an orange.

    David Lu performs, photo by Brenden Hussey

    Concluding the performances, David Lu aka Condrummer, demonstrated his unique audio-visual compositions

    We livestreamed the talks and demos/performances and you can view them on youtube. Unfortunately the video framerate is low, but the audio quality is high!

    Photos by Inza Bamba, Brenden Hussey, Vinay Raghavan, Allen Riley and Jason Sigal.

    Thank you!

    Many thanks to all who participated in the event and to everyone involved in making it happen! Thank you to everyone at Weav Music for hosting us, transforming their office to accommodate the event, and putting such care and thought into the planning. Thank you to Spotify for supporting pizza and live captioning. Thanks Stan(ographer) for captioning. Thank you Shagari Guity for graphics. Thanks to all of our incredible guests (Jay, Kon, Johann, Yago, Rena, David, Kyle, and Viola) for sharing their work. And thank you to the many volunteers (Alan, Brenden, Holly, Inza, Jason, Jay, Marium, Shagari, Steph, Taylor and Vinay) who organized on behalf of Music Community Lab!

    Please reach out to contact” at ” musiccommunitylab.org if you’d like to get involved with future events!

  6. Live stream of Talks (12pm) and Performances (7pm) from the Experiential Music Hackathon

  7. Experiential Music Hackathon

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    Flyer by Shagari Guity

    Explore new ways of interacting with music, beyond the auditory. Music we can taste, smell, touch and see. Interactive and immersive music that alters our experience of reality. From real-world applications and installations to the augmented and virtual. How can we utilize technology and other tools to create new music experiences?

    This non-competitive hackathon will include talks, performances, and workshops featuring open source tools.

    Hosted at the new Navy Yard offices of Weav Music, a startup building adaptive music experiences.

    Free and open to all (with RSVP—capacity is limited). Come learn, explore, create and share!

    Saturday, Feb 22, 2020
    11:30am - Doors Open
    12:00pm - Talks
    1:30pm - Workshops & Hacking
    7:00pm - Demos & Performances

    Weav Music
    141 Flushing Ave
    Building 77
    Brooklyn, NY 11205
    Suite 1212, 12th Floor

    Talks (12pm)

    :: Rena Anakwe, interdisciplinary artist & performer: “Building Worlds through Sound, Visuals and Scent” (aspaceforsound.com | twitter.com/djladylane | twitter.com/aspaceforsound | https://soundcloud.com/djladylane)

    :: Dr. Yago de Quay, multimedia artist: “Biometric Art: How to Make Music using Gesture and Brainwave Interfaces” (meetgraviton.com | youtube.com/yagodequay)

    :: Johann Diedrick, artist, “A Quiet Life: attuning our attention to environmental sounds” (johanndiedrick.com | aquiet.life | instagram.com/johanndiedrick | twitter.com/jdiedrick)

    :: Allen Riley, video artist and game designer, Death by Audio Arcade: “Audiovisual Synthesis & Video Games” (allen-riley.com | videofreak.tv | @twoeggshomefriesryetoast)

    Workshops (2pm & 3:30pm)

    :: 2pm - 3:30pm: “How To Create Visual Music with Code and in Real Life” w/ Jay Alan Zimmerman, deaf composer & visual music artist, and David Lu, electronic musician & media artist.

    Introducing the principals of music for the eyes, visual music standards and tools, and specifically how to use the Seeing Music app and code to create new visuals and new code.

    Participants do not need to bring anything but are welcome to bring their devices and open the app online and/or download the code on github.

    :: 3:30pm - 5pm: “Sensitive sounds: Connecting live audio with environmental sensors using Pure Data + Arduino” w/ Kyle Luntz (@kyleluntz), artist, educator & musician.

    Participants are asked to bring headphones and a laptop with the following free software downloaded in advance: Pure Data (PD Vanilla), an external library called Pduino and the Arduino IDE. Optional: Arduino (or equivalent), breadboard, jumper wires, variable resistors (photocells, potentiometers, piezos…)

    Performances (7pm)

    :: Jay Alan Zimmerman, deaf composer & visual music artist (creatability.withgoogle.com/seeing-music | deafmusical.com)

    :: David Lu, electronic music & media artist: David Lu (aka Conundrumer) is a software engineer, electronic musician, and media artist. He has been developing generative visuals and expressive interfaces with a focus on live, expressive, and visual electronic music. His performances involve digital and electroacoustic instruments accompanied by a tightly synchronized visual representation of the music. (davidlu.me)

    :: Viola Yip, composer & performer: Bulbble is a DIY instrument that incorporates a circuit of lightbulbs as an interface for the audio and visual interplay for a performance. (newmusicusa.org/profile/ispeakmusic/)

    :: Richard Einhorn, classical music composer (richardeinhorn.com)

    Plus demos! Demonstrations of new projects created by attendees during the hack day!

    RSVP

  8. Town Hall: Music, Hacking & Accessibility

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    Flyer by Steph Rymer

    If you’ve attended our recent events, you might have met a team of researchers from the University of Calgary interested in the intersection of music hacking, technology, education and accessibility.

    On August 26th, join us for a special presentation from Chantelle Ko, Atiya Datoo & Adam Patrick Bell as they present the results of their research—including a case study on Music Community Lab.

    Following the presentation, we’ll hold small group discussions to come up with ideas to make our events the best they can be. Join us for some refreshments and dialog.

    Music Community Lab Town Hall on Music Hacking & Accessibility

    150 Greenwich St, 69th Floor | New York NY
    Monday, August 26, 2019 from 6:30 PM - 8:30 PM

    RSVP*

    *This event is free and open to all, but capacity is limited, so RSVP now and arrive early!

  9. Songwriter Lab

    Write a song in a day! Songwriter Lab is a chance to tap into your creative side and explore music through multiple genres.

    Spend the day making music from scratch, collaborating with creative members of our community.

    This event is open to all experience levels. Whether you’re a seasoned songwriter or just getting started, join us at Songwriter Lab!

    WHERE & WHEN

    NYU Leslie eLab  |  16 Washington Place  |  New York, NY

    Saturday, June 15, 2019

    From 11:00am to 8:00pm

    SCHEDULE

    • 11:00 AM Doors Open
    • 11:30 AM Welcome + Keynote
    • 12:30 PM Ideate + Mingle
    • 1:00 PM Workshops + Work time
    • 6:00 PM Presentations

    Speakers

    Creating a Group Composition

    Andy Polon: guitarist, music teacher

    Create collage from poems, musical scraps, and video clips. Experiment such as slowing the piece down via a foot pedal (Wah Wah style) and creating sound clusters.

    Songwriting and Resilience

    Johannes Flecker: founder of Sound Leadership, award-winning musician and management advisor for Fortune 200 firms

    Experience the craft of songwriting and write your own story of resilience in a short, powerful song. No music experience required.

    Listening Like a Producer

    Ethan Hein: Doctoral Fellow in music education at NYU, and adjunct professor of music at NYU and the New School.

    How do producers of contemporary music like hip-hop and EDM approach the creative process? Beyond the technical aspects, the most important skill we can learn is to listen to recordings the way that producers do: as raw material for new musical expression.

    Improvisation, Global Rhythms & Music Technology

    Ravish Momin: Indian-born drummer, electronic music producer and educator.

    Layer global rhythms, create live-loops and trigger/manipulate melodies ‘on the fly’ to further blur the lines between composition and improvisation. Participants will engage in clapping rhythms, brainstorming creative solutions for blending electronics and creating a collaborative arrangement on-the-spot.

    Crafting a melody: All Analog Modulation

    Cortland Mahoney: composer and producer

    The human voice is the most modular analog instrument with respect to the controlled sounds it can produce. We take advantage of this to push ourselves away from using it to deliver lyrics and instead to create an abstract, beautiful melody.

  10. Movement & Music Explore the relationship between movement and music. Sound is movement. Music inspires dance and human motion. Conductors use movement to guide the creation of music.
Movement & Music is the place to explore these overlaps and more....

    Movement & Music

    Explore the relationship between movement and music. Sound is movement. Music inspires dance and human motion. Conductors use movement to guide the creation of music.

    Movement & Music is the place to explore these overlaps and more. Listen to talks, join workshops, and create projects with others on the theme. Persons of any skill and exposure level are welcome!

    Saturday, June 8th, 2019

    11:30am - 6:00pm

    Splash HQ

    122 W 26th Street, 4th Floor

    New York, New York 10001

    RSVP

    Schedule

    • 11:30AM: Doors Open
    • 12:00PM: Talks
    • 1:00PM: Brainstorm & Discussion Sessions
    • 2:00PM: Workshops
    • 5:00PM: Presentations

    Speakers

    Joel Sherry, actor in TeatoLocal. Joel will elaborate on TeatoLocal’s use of improvisational experiments in movement using music and sound.

    Kevin Clark, artistic director of Soluq Dance Theater. Through Kevin’s talk, listeners will learn about how a dancer regards music and how Soluq incorporates sound in novel ways to make unique performances.

    Workshops

    Controlling Sound with your Body

    Maya Man, a Creative Technologist at Google Creative Lab. This workshop walks participants through the process of combining Posenet with p5.js and the p5.js sound library to create a sketch that allows them to control sound (volume, rate, etc.) with the movement of their body. Participants should only need to bring a laptop (if possible), because we will be working in the p5.js web editor.

    Buckets Make Music Too 

    DJ Ceiba aka Brotha Sean: Co-founder of Sacred Drum Productions. Learn about the rhythms and techniques to cue hip hop and samba dancers using only 5 gallon buckets and drum sticks.